Teaser
Believers all
we wait for a sign
Believers all
we wait for a sign
Science is constantly seeking to allow mankind to better itself and overcome the boundaries imposed by nature. However, with the evolution of technology and the growth of human knowledge, the paradigm is now changing: science aims to create a new human. By creating a new way of thinking towards the future, the project’s subject is framed around the notion of Posthumanism, a term that advocates the possibility of human evolution beyond its current physical and cognitive limitations.

Through the lenses of this intellectual and philosophical movement, my proposal is to explore how aspects inherent to the human-being as we know it today can morph, adapt or transcend according to the premises of the posthumanist movement. More specifically, this framework proposes a reflection on faith, belief and religion—notions inherently human—and how they will transcend in a posthuman forecast. The goal is to explore how the decentralization of the human being and the centralization of the posthuman will reform organized religion, perpetuator of power and conflict, as well as an anthropomorphic deity.

The link between Posthumanism and the advancement of science might create an assumption of its removal from the concerns of faith, since mostly religion and science, belief and skepticism, theism and atheism are regarded as incompatible. But it appears there are also significant ways in which religion features within discourses of Posthumanism. My approach forms an hypothesis within the framework of Speculative Design and Design Fiction, with the goal of reflecting upon the social, moral and spiritual reconfigurations implied by the decentralization of the human being and the rising of the posthuman. The main objective aspires to a fictional world and the utopian creation of a non-dualistic unification of faith/religion—a way of critically approaching the human tendency of materializing belief in organized religion.

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The New Testament
The narrative is conveyed by a set of scriptures that metaphorically represents a religious book. It intends to transport its message not only by its content but also by the symbolic structure of the fiction. A total of seven “books” (seven hermetic principles, seven days of creation, the number seven is even referenced 52 times in the biblical book of Revelations, the Apocalypse—seven signs, seven churches, seven stars, seven hills, etc) with a main exploration of five central books (five parts of the human body, five senses, five scriptures of the Pentateuch).

In the first phase of the fiction, a preface materializes the first book of the testament. It represents a kind of initiation ritual to face the first conditions necessary to start the “crossing” through the interface. The following phase proposes an exploration through five central books, the fiction’s “body”, and several courses of reading are possible. An immersive exploration is the goal. After that, the user is faced with the prologue. The goal is to keep them perpetually suspended, separated from reality. It is a phase of reflection, a revelation.

Design, text & video editing
Rodrigo Amâncio
Video
Contact (2018), by Phil Hart
My True Existing State (2018), by Ash Thorp
Crime of the Century (2019), by Gioacchino Petronicce
Music
Floating Spheres, Particle Storm & A Profound Void (2019), by Alphaxone
Where Am I & Cave of Sorrows (2019), by Arondight Studios
You Disappeared (2019), by Beyond the Ghost
Ghost in You (2019), by protoU
Aurora (2012), by Hans Zimmer
References
Braidotti, R. (2013). The Posthuman. [book]
Ferrando, F. (2019). Philosophical Posthumanism. [book]
Fictional Affinities
The Left Hand of Darkness (1969), by Ursula K. Le Guin
The X-Files—Biogenesis: The Mystery of Life (1999), by Chris Carter and Frank Spotnitz
Project created for the subject of New Media Production, for the Masters of Communication Design, Faculty of Fine-Arts, ULisboa